Though others had earlier used similar techniques, Thin Lizzy is widely recognised as one of the first hard rock bands to employ double lead guitar harmony (the twin guitar clash) - a technique pioneered by Wishbone Ash in the UK, whilst independently in the USA by Lynyrd Skynyrd and The Allman Brothers Band. Their music covered much territory (including hints of country and traditional folk music), but is generally classified as traditional hard rock or heavy metal. American groups Little Feat and Bob Seger also influenced Lizzy. They are best known for their songs "Whiskey in the Jar", "Jailbreak", "The Boys Are Back in Town" and "Bad Reputation", all major international hits still played regularly on hard rock and classic rock radio stations.Ĭritic for John Dugan has written that "As the band's creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced by Bob Dylan, Van Morrison, Bruce Springsteen, and virtually all of the Irish literary tradition." Van Morrison was a major influence as revealed in an interview with Phil Lynott in the movie Thin Lizzy the Rocker: A Portrait of Phillip Lynott. The band was originally led by bassist, songwriter and singer Phil Lynott. To most this is just another speed bump before the next big release, but taking the time to acknowledge these singles enhances the Lizzy experience.Thin Lizzy are an Irish hard rock band who formed in Dublin, Ireland in 1969. They won’t blow you away, but “Rosalie” is fun and is the first track on Fighting, so you can’t miss it. Pretty different lyrically and musically, as I mentioned, but both are Lynott’s treasures and are worth hearing at least once. So one song is about this apparently awesome girl and another is a racial downer about a not-so liked boy. Lynott’s vocals are touching but not deep or intense (the spoken bits are even less serious), and the guitars are practically absent aside from the chirping. Expect a South American jingle with a fat bass line and some jittery percussion along the hi-hat. If I’m correct, Lynott is half Irish and half Latin American, so he puts in some of the latter’s influence, explaining why this sounds nothing like Lizzy’s usual material. ![]() This is a bass and drum centered track, sounding like a level out of Super Mario Sunshine. Now “Halfcaste” is more important for its lyrics and for Lynott’s somewhat morose delivery. It isn’t very profound, but it is light hard rock that the whole band gets in on without going over the top. Downey covers well with the club-beat and Lynott’s bass glides heavily all around this is a fun track that quite honesty requires dancing. “Rosalie” is a short, highly upbeat track with a poppy lead and infectious chorus that’ll make you want to yell along, too. The first track I have to give credit to Bob Seger since he is the original performer, but Lynott gets my respect since he adapted it to beat the original recording. Fighting is a genuine band effort, but this single is Lynott’s moment to shine. “Rosalie” and “Halfcaste” are two very different sounding songs, but more important are the lyrics. Some bands will royally screw up if they tried this, but Lynott was able to craft a good number of songs in a short amount of time, hone them in on Lizzy’s sound, and set them loose. Oh yeah, Nightlife is done and gone, and Lizzy don’t take their time by unleashing another album the very next year.
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